Just a few days ago, at my World of Whatever blog, I wrote a post that addressed just a few of the uncanny parallels between the Japanese 1961 monster-movie, Mothra, and some of the cases and events featured in John Keel’s classic book, The Mothman Prophecies. But, what I also did was to focus on the possibility that perhaps art – whether movies, novels or whatever – can fire up the imagination to such an extent that the collective unconscious can externalize into quasi-physical form those “things” purely born out of fiction. As noted Fortean author Colin Bennett told me: “When we imagine, we create a form of life.”
And, I have been doing a bit of further digging into this area of fiction and Forteana, and one of the most notable issues to have caught my attention is that concerning a 1969 movie, The Valley of Gwangi. It stars James Franciscus, Gila Golan and Laurence Naismith who get caught up in a monstrous caper involving still-surviving dinosaurs that inhabit a hidden valley in Mexico. Among those same dinosaurs are an Allosaurus, an Ornithomimus and a Styracosaurus. And there’s another beast, too: a vicious pteranodon that circles the skies menacingly.
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