By Robbie Graham Silver Screen Saucers
The role played by Hollywood in shaping our notions of potential alien life has long been a subject of fascination and contention in the UFO research community. Although there seems to be a consensus among UFOlogists that big screen depictions of UFOs serve to acclimate the populous to the reality of the phenomenon, opinions diverge on whether this acclimation effect is the product of design (inferring the existence of a "Hollywood UFO conspiracy"), or is merely the result of a natural cultural process driven by generic trends and stemming from a simple recognition among Hollywood executives that, when it come to the box office, aliens sell like hotcakes. Within this ongoing debate concerning UFOs and Hollywood, the name of one studio consistently has rung out over the decades – Disney. The House of Mouse has overseen the production and/or distribution of numerous UFO and alien-themed movies in recent times, with the best known examples including Flight of the Navigator (1986) Signs (2002), Lilo and Stitch (2002), Chicken Little (2005), Lifted(2007), I am Number Four (2011), Mars Needs Moms (2011) and the forthcoming John Carter (2012).
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